What do I see?

My work moves across printmaking, installation, and photography, but returns consistently to the same questions: what gets recorded, what gets erased, and who gets to say what happened. I'm interested in print as a social form — repeatable, public, democratic — and in the way images, text, and testimony carry meaning across time and bodies. Much of my work begins with the narratives, power dynamics, and conditions that shape who we become, and with the labor of making those structures visible — in relationships, in institutions, and in the self.

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