What do I see?

My work moves across printmaking, installation, and photography, but returns consistently to the same questions: what gets recorded, what gets erased, and who gets to say what happened. I'm interested in print as a social form: as something repeatable, public, and democratic, something which carries and generates meaning across relational networks, time, and distance through images, text, and testimony. Much of my work begins with the narratives, power dynamics, and conditions that shape who we become, and how process and repetition make those structures visible in relationships, in institutions, and in the self.

​